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Photos by Alexandra Bergman, Lasse Lychnell, Anne Vejen, and Kat Mizina 

A modular training program in Contact Improvisation,

as a movement practice, somatic research, and art form.

rolling . falling . flying . listening
becoming . kinaesthetic . landscape
negotiating . finding . soil

The coming year the modules will create a dialogue between Malmö, Gothenburg and Stockholm.

exploring the format as a cross city program. 

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The program consist of two blocks where we meet to dive into practice during six intensive weekends.
The intention is to cultivate a continuous and flourishing practice of Contact Improvisation. 

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2025 will be the 4th edition of the program. It is an initiation to create a group process. To build, sustain, remain, deconstruct, question, support, reflect, breath, and craft a beautiful space together. Opening up exchange between the cities, the vision is to connect, nurture, and develop the community in Sweden.

Participants are required to be familiar with Contact Improvisation and /or other somatic movement disciplines. Dedicated to deepen and expand their practice and research.

Each CI module has been like getting an instruction manual for a new body part, and getting inspiration to explore, move and play. The feeling of landing on the wooden floor. Getting there on Friday evening after a long day and feeling that "now I'm here!", and realizing that it's not so much about "now I'm here in this room" but rather "now I'm here, in my body". And that feeling has been taught by dance that I can always go back to. At the beginning of the year, my goal was to investigate whether dance was something I could carry with me outside the dance floor, in everyday life. I think the annual program has proven that to me. I notice that I pay attention to my body in a completely new way, I no longer float through the world as if I were just a brain floating 1.5m above the ground. I move with my whole body. I notice how I stretch my vertebrae and try to put my weight on different parts of my foot while I wait for the subway, just because it's fun, and because I'm aware of those body parts. I notice that my dance is no longer about my whole body moving in a lump, but that I now let myself be led by my fingers, toes and hips.

 

Danielle

Photos by Alexandra Bergman

Each module has a research topic interweaving practice and theory, approaching the body as a relational field.

Modules of 2025

​M1 Malmö - The Body as a Landscape
M2 Gothenburg - The Spine of My Life 

M3 Stockholm - Moving Through History   

M4 Malmö - Balancing Bodies   

M5 Gothenburg - Tensegral Ensemble   

M6 Stockholm - From Seed to Spiral

 

Combining somatic practices, tools for spatial awareness, and technical skills for improvisation in and out of contact, we explore performative scores and tools for ensemble work. Investing time in movement, stillness, silence, words, sound, writing, and drawing, we discover, uncover, and recover by moving and being moved. Pouring ourselves into collective knowledge and development, creating a living library within a group.

During our weekends the idea is to co-create a C.I. livingroom where we practice various forms of reflection to explore what moving together can reveal. We identify sources and history, drawing inspiration from other practices and great C.I teachers coming in to share.

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FACILITATION

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ANNA VILHELMINE WALLIN (SE) 

is the artistic initiator and facilitator the program. A movement artist, educator, and mother. Through practise based research she writes, teach, curates, act and breathe within the field of Contact Improvisation.

 

Deeply committed to develop the Swedish C.I community, gathering dancers through regular classes, workshops, laboratories, jams, and festivals. Initiated and launched the program in 2022 and co-curating Sweden Contact Fest together with Kristina Ahlman.

 

Beyond curating, teaching, and facilitating the program she works with dancetheatre companies, corporates and dance institutions around the world. She hosts workshops, lectures, and inspirational talks for leaders, as one to one sessions.

 

By using improvisation her research identifies the fragile as the solid. Through somatic practises she explores what listening can be and bring. Driven to hold less, sense more and explore what we can build together.

PRACTICAL INFO 2025

BLOCK 1
 

Module 1  -  Malmö           

Module 2  -  Göteborg   
Module 3  -  Stockholm       

BLOCK 2
 

Module 4  -  Malmö           

Module 5  -  Göteborg     
Module 6  -  Stockholm     

PRACTICAL INFO 2024

MALMÖ

w. 6    Feb 9-11
w. 14  April 5-7
w. 22  May 31-1
w. 34  Aug 23-24
w. 40  Oct 4-5
w. 48  Nov 29-1

STOCKHOLM

w. 7    Feb 16-18
w. 16  April 19-20
w. 24  Juni 14-15
w. 35  Aug 30-31
w. 42  Oct 18-19
w. 50  Dec 13-15

TIME

Fridays             18.30 - 21.00

Saturdays         13.00 - 18.00

*  Sundays        11.00 - 14.00

*  Sundays only goes for the First and the Last Module.
** Short breaks will be included and times may shift​ depending on the process and the groups needs.

Obs. This is the Curriculum for the 2024 group.

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Documentation from 2024's program in Malmö and Stockholm 
by photographer Alexandra Ruth Bergman

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